
The final segment of the landmark expose "The Hate That Hate Produced" just posted on the Blakfacts network on Ning. The following excerpt from Peniel Joseph's "Wait 'Til the Midnight Hour" is an excellent review of this 10 part series.
"Tipped off to a potential news story by the veteran black reporter and colleague Louis Lomax, Mike Wallace became the first white journalist to feature an expose of the Black Muslims. The five-part documentary aired on Wallace's News Beat the week of July 13, 1959. News Beat reporter Louis Lomax, accompanied by two white cameramen, received unprecedented access to the Nation of Islam's inner workings. Rare footage of the NOI and James Lawson's United African Nationalist Movement cast black nationalists as obscure counterparts to the racist southern White Citizens Council. From the studio, Wallace set the tone for the evening, chiding 'soberminded Negroes' for failing to oppose the group. Wallace asked Manhattan borough president Hulan Jack and NAACP chairman Roy Wilkins why they hadn't done more to forestall the growing Muslim menace. Booed off the stage by Muslims at an earlier NAACP rally, Jack knew better than to attack one of Harlem's most powerful groups. Wilkins claimed to have no knowledge of Elijah Muhammad or his syndicated newspaper column. He expertly deflected questions regarding the group, noting that while he never attended their street rallies, he supported the right to free speech. Photographs of Wilkins shaking hands with Malcolm X were offered by News Beat as evidence that the head of the NAACP was consorting with a black hate group, behavior that contradicted his outstanding personal and professional commitment to civil rights.
The program boiled down the Nation of Islam's mix of religious evangelism and racial militancy to hate mongering. Descending into the homes of white Americans via a new medium, television, whose power was largely untested, the Nation of Islam received a dramatic if not entirely unflattering debut. More than simply putting the NOI and other black militants on the radar of ordinary Americans, the documentary ushered in the first intraracial political controversy of the civil rights era, pitting black separatists against integrationists. News Beat's coverage also served as a coronation of sorts--marking Malcolm X as a new breed of black militant. The documentary's first glimpse of the Nation came via footage of the climax of the popular play The Trial, which featured a Muslim prosecutor [Louis Farrakhan] seeking a collective indictment against the white race for black oppression. Images of thousands of Muslims voicing their approval at the mock court proceedings were followed by footage of an enormous Muslim rally in Washington D.C.'s cavernous Uline Arena; these images were accompanied by Wallace's clipped voice-over narration, which repeated the group's exaggerated estimates of a quarter of a million acolytes and provided details about Elijah Muhammad's personal history. Malcolm's subsequent appearance overshadowed Lomax's exclusive interview with Muhammad. Whereas Muhammad answered questions stiffly, Malcolm's eloquence focused on the Nation of Islam's collective indictment of white America. After Malcolm's defense of the Nation of Islam's philosophy and criticism of the NAACP, footage of Malcolm addressing an African Freedom Day rally in Harlem strengthened News Beat's claims that the Muslim movement had penetrated black America's foremost citadel.
Elijah Muhammad arrived at St. Nicholas Arena for a major speech on the heels of the show's airing. Inside, six thousand turned out to hear him reject charges of hate mongering. Outside, almost one thousand Harlemites, many still dressed in their Sunday best, lined up against police barriers and listened to Muhammad through speakers set up to accommodate the overflow. Groups of white reporters and cameramen bantered with Muslim security officers who announced that no whites would be allowed inside. Refused entrance into the arena twice, Mike Wallace threatened to press his case to a higher authority; bewildered black journalists marveled at the clamoring white media desperate to attend the same closed-door religious meetings the black media had covered for years. Malcolm X and the Messenger's son, Wallace shared the speakers' platform with Elijah Muhammad. Wallace Muhammad sketched a brief history of the Muslim movement while Malcolm (recently back from the Middle East) spoke of Elijah's growing international reputation. Uncertain of the documentary's impact on his movement, Muhammad delivered a forceful speech, exhibiting the energy and stamina that, in later years, would elude him. He described himself as a divine messenger entrusted to redeem the lost souls of a proud but wayward people. His was a mission of cosmic origins, legitimated by Black Muslim orthodoxy, dutifully believed by growing numbers of converts. Muhammad challenged his critics to offer proof of the NOI's racial demagoguery and singled out Jackie Robinson as an Uncle Tom tricked into attacking him. Muhammad also hinted that he might be forced to retire over the recent furor. The white press, which had excitedly reported the group's activities, now sought information attainable only with the help of black reporters. The publicity made Black Muslims part of the debate over America's civil rights struggle. But the NOI's iconoclastic religious and political practices would, from their first airing in the national media, remain on the fringes of respectable civil rights discourse. Martin Luther King Jr., Roy Wilkins, and Thurgood Marshall publicly chastised the Muslims as a 'hate group' that had failed the litmus test for responsible leadership; blatantly one-sided, News Beat's airing the 'The Hate That Hate Produced' left the Nation of Islam open to ridicule and worse.
'The Hate That Hate Produced' was broadcast just as Malcolm was visiting Africa. His 1959 tour amplified his interest in the larger world. As Muhammad's advance man in the Middle East, Malcolm had served as a liaison with Muslim officials in preparation for the Messenger's visit to Mecca. As the FBI monitored his foray into Africa, Malcolm published his letters from Saudi Arabia and the Sudan in black newspapers. From Khartoum's Grand Hotel, he announced that 'racial disturbances in faraway New York City' received front page coverage in the Sudan. African concern for black suffering in America, he observed, was growing. Penetrating what Malcolm described as a 'veil of global diplomatic art' were 'hordes of intelligent Africans' unmoved by American propaganda extolling domestic racial progress. Meanwhile, the national media ignored Malcolm's tour. Malcolm claimed that Elijah Muhammad's achievements were respected overseas; however, the Black Muslim movement had an ambiguous relationship with the larger Islamic world (which followed orthodox interpretations of the faith and did not recognize Elijah Muhammad as divine); in fact, rumors swirled that contemptuous Saudi officials barred him from Mecca.
But Muhammad did make it to Mecca. With his sons Herbert and Akbar, Muhammad arrived in Turkey on November 23, 1959, three months after Malcolm, and toured the Islamic Middle East over the next six weeks. In Cairo, Muhammad received an audience with Egyptian president Gamal Abdel Nasser; in the process, the NOI leader solidified his claims of international religious and political legitimacy. From Jeddah, Muhammad traveled to Mecca to complete the hajj. Led by a guide and draped in the garb of hajj pilgrims, two white sheets called the ihram, Muhammad recited Arabic prayers amid thousands of Muslims, successfully completing the holy pilgrimage. Muhammad's visit made the front page of the Amsterdam News, providing public vindication for Black Muslims in Harlem sensitive to criticism of their unorthodox religious practices. Muhammad returned to the State confident that he had brokered international alliances. For Malcolm, Muhammad's hajj was bittersweet. The previous summer, within miles of the holy city, he was forced to return without making the pilgrimage, offering several excuses, including illness, scheduling conflicts, and fear of upstaging Muhammad. The Nation of Islam's rapid ascent was already taking its toll."
Excerpted from:
Waiting 'Til the Midnight Hour
By Peniel E. Joseph
Published: July 10, 2007
pp. 21-25







